Three Imaginary Girls

Seattle's Indie-Pop Press – Music Reviews, Film Reviews, and Big Fun

Okay. Seriously, can we talk about this for a minute, imaginary friends? Quasi are playing The Tractor on Friday. QUASI. TRACTOR. FRIDAY. FUCK.

Janet Weiss AND Sam Coomes AND that almost-untouchable, best-pairing-since-chocolate-and-peanut-butter vibe, AND a new album (Mole City), and I think our faces just got rocked off before we could even a parking spot in Ballard.

Here's what the press release has to say about it:

Mole City is not in the tradition or deviating from the tradition — it is the tradition. After 2 decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of Sleater-Kinney, Wild Flag, Elliott Smith, Built to Spill and a long list of others [Ed. note: LIKE SLANG]), Quasi are a genre of their own — they write songs in the style of Quasi, and Mole City is the Quasi Song Book: Parlor Sing-alongs for the Last Century.

Now in their 20th year as a band, and a two-piece once again, Sam Coomes and Janet Weiss hand-deliver the double album/Liberation Cookbook/Encyclopedia of Kicking Ass, Mole City, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill. In other words, those of us who don’t fit into a world where the empty noise of crass capitalism, slick branding, and high profile hot pants have drowned out nearly all other concerns. Mole City, their ninth album, is a set of anthems for the refuseniks, Molotov tossers, pacifist soldiers and bug-eyed freaks, and Quasi is the band playing as the Titanic of what was once Independent Music goes down.

Amen to that! Get your tickets (if there's any left by now) at The Tractor's (new?) site here. We'll see you in the front row!

{9:30p / 21+ / $15 adv. Hobosexual and Blues Control open.}