"How I Came to Know" by Lois Maffeo and Brendan Canty
A couple years after I graduated from college, I finally became "big time" enough to secure a spot as a freelancer on Denver's largest weekly…
Seattle's Indie-Pop Press – Music Reviews, Film Reviews, and Big Fun
A couple years after I graduated from college, I finally became "big time" enough to secure a spot as a freelancer on Denver's largest weekly…
Ben Gibbard bundles up and braves the piano in Death Cab For Cutie's latest visual offering. My only worry: Won't an eight-and-a-half minute video cut…
There has been much scrutiny since RJD2 declared hip-hoppery as he knew it banished from his shelves so he could pick up a guitar and…
Rafter is sort of a musical menagerie that can actually pull off the act. Sex Death Cassette is the closest thing you can get to…
Much in the same vein as Rafter, but a little more structured, is Brazil's Mini People in Coney Island. Nara Dreamland is a pastiche of…
In 2001, England's Airport Girl released their debut album, Honey, I'm an Artist, which was a fairly upbeat record, full of jangling guitars. They've finally…
OK, I admit, if 'acoustic-based singer-songwriter' had a section at the record store, I'd be hopping over it -- despite the fact that many of…
The Breeders' debut, Pod, is undoubtedly the album that changed my life, so you can imagine the anticipation that comes along with news of a…
One particular local collective I cannot stay away from is the Beep Repaired crew. In deciding what to do last weekend for my birthday night,…
Christopher Stewart is a Seattle artist who released a nine-song CD called Escape Control Return Home last year under his own label, Shitbird Records. The…