Noises Off
A motley troupe of has-been and never-were actors dress-rehearse, tour in, and ultimately obliterate a hilariously idiotic British sex farce called Nothing On in the…
Seattle's Indie-Pop Press – Music Reviews, Film Reviews, and Big Fun
A motley troupe of has-been and never-were actors dress-rehearse, tour in, and ultimately obliterate a hilariously idiotic British sex farce called Nothing On in the…
Red Ranger Came Calling Book-It at Seattle Center House Theatre The average TIG reader (let alone the average TIG Curtain Call reader) probably isn't among…
I loved me some Amélie. It got tiring, though, to hear all the subsequent moaning about how artificial it was, how it created a world…
I don't care much for baseball, but the fantastic Rep production of Richard Greenberg's Tony-winning, Pulitzer-nominated Take Me Out gave me an inkling as to…
"Either I'm talkin' another language or he's a bit Mutt & Jeff." Prolific British stage/film/TV actress Imelda Staunton is a dramatic powerhouse -- radiant, bittersweet,…
There are times when works of art find greater relevance due to the political environment in which they are experienced. Theatre Unlocked's production of Wallace…
Anna in the Tropics Seattle Rep's Bagley Wright Theatre Cigar factories of the late 19th and early 20th centuries often utilized the services of a…
"I've always really loved monkeys" The first thing you should know about Customer 152 is that it's homegrown. Filmmaker Jonathan Holbrook is from Lake Stevens,…
The Intiman's press notes for its current production claim that writer/performer Josh Kornbluth is best known for the 1992 comic monologue Red Diaper Baby, his…
Three metal-lined screens surround an otherwise minimal stage, with slick enviro-projections providing varying backdrops for the settings and narrative of Diana Moves, a well-meaning but…