Women as Lovers
Xiu Xiu is like modern art in musical form: Either you think you get it and love it or you’re baffled by what anyone sees…
Seattle's Indie-Pop Press – Music Reviews, Film Reviews, and Big Fun
Xiu Xiu is like modern art in musical form: Either you think you get it and love it or you’re baffled by what anyone sees…
I finally saw the Ian Curtis biopic, Control last night. I was pleasantly surprised to see that despite a long run here in Portland that…
It's no secret around here that one of the greatest musical happenings of 2007 for me was Grand Archives, the latest project of the amazingly…
A few weeks ago, after returning from a lengthy vacation halfway across the world, I returned home to a packet of albums to review. My…
The first time I listened to this album I couldn't get through it, succumbing to the notion that the first song set the tone and…
With all the talk that Juno has inspired on the topic of film soundtracks overshadowing the film itself, it's refreshing to come across Norwegian pop…
As reported a couple months ago, songsmith Keith John Adams took on the massive task of writing a batch of songs personalized to the first…
Ah, Nada Surf: the archetype of a “grower” in music. As a band, they grow on you—fast or slow, it doesn’t matter, they’ll get you—and,…
Reading the biography for Division Day is like looking at a wish list for my high school reunion: Four friends from the Southern California area…
If we were to compare Hot Chip’s Made in the Dark to their 2006 album, The Warning, in, let’s say, military terms, it would be…